Ben Wallace Biography

Ben Wallace Biography Free Online Research Papers â€Å"Subhuman conditions produce subhumans.† Richard Wright’s theme in Native Son says that if you grow up in a family or city that does not have a lot of success, you won’t be successful yourself. It relates to naturalism in a direct way. Naturalism says that your fate depends on your environment and your heredity. I do not believe this theory. There are many others who also don’t believe this theory. One person that disproves this theory is Ben Wallace. Growing up in Benton, Alabama, one of the smallest towns in the country was hard on Ben and his ten siblings. Having a single parent was even harder. Ben’s mother, Mama Sadie, was having a hard time coming up with food and a decent shelter for her family. She grew cotton in a small patch in the yard and also grew crops that would help feed the family. Because of the lack of money they had, Mama had to make clothes for the family. She was a hard worker that never gave up. Because of all the hard work their mother went through, Ben and his brothers tried to help out by working around their area. They helped nearby farmers complete chores on the farm to make some extra cash and help out the family. As he grew older, he learned that he had a new talent. Ben began to cut hair. His reputation grew and soon he started to cut the neighborhood kids’ hair for $3 each. He learned what it felt like to earn what you worked for. Ben Wallace worked hard at everything he did. In high school, he was All-State in baseball, football, basketball and track. Lots of things made Ben the person he was but most likely it was all the hard work he put into every thing he did. Though he did most of the work, people like Charles Oakley, former player who helped Ben get to college, helped. Ultimately, hard work and determination helped Ben reach the level that he dreamed to play at. He is now living the life of a superstar. From growing up in a small town with little money and ten siblings, to becoming a star athlete and earning $60 million for four years is a huge change. Ben Wallace is a prime example that subhuman conditions do not produce subhumans. I think that this theory is flawed and can be disproved by anyone willing to disprove it. I don’t believe that people are controlled by their environment or by their heredity. For example, if my parents were alcoholics and I saw the way they treated me when they were drunk, I would not want to be alcoholic so that I wouldn’t treat my children that way. The way Ben made it through a hard environment shows many others that it can be done. With hard work and determination, you can rise above anything that holds you down. Source Ben Wallace Biography. JockBio.Com. 13 Dec. 2007 . Research Papers on Ben Wallace BiographyThe Effects of Illegal ImmigrationNever Been Kicked Out of a Place This NiceThe Relationship Between Delinquency and Drug Use19 Century Society: A Deeply Divided EraHip-Hop is ArtEffects of Television Violence on ChildrenMarketing of Lifeboy Soap A Unilever ProductGenetic EngineeringStandardized TestingPETSTEL analysis of India

How I Wrote My Novel by Building a Community

How I Wrote My Novel by Building a Community How I Wrote My Novel by Building a Community Giuseppe Porcaro is the author of DISCO SOUR: an existential odyssey of a heartsick politician trying to save a war-torn, post-austerity Europe from algorithmic autocracy. In this article, he talks about the collaboration behind his latest novel, which was inspired in large part by interactive events he organized during the writing process.When I first started working on DISCO SOUR, I had a story stuck in my head, and this romantic dream of writing on the beach, sipping on a coconut through a straw and hammering out my book in a couple of weeks. So, I bought a ticket to Indonesia and settled on the island of Gili Meno, where I rented a bungalow by the beach. Fresh Bintangs (local beers) took the place of the coconut.Learning that there’s more to writing a novel than just, well, writingAfter three days on the island, I fell in the mud after a tropical storm and severely dislocated my arm. A local suggested that I visit their aunt in a nearby village because she was an osteopath and would be able to help heal my arm.Finally, I organized a workshop for interactive world building for DISCO SOUR with Librebook, an independent bookstore in Brussels. Jessica Woodworth, an American filmmaker, and Pieter de Byser, a Belgian theatre director, joined to give their own perspectives on creating imaginary worlds.How community-building contributed to my novelAll of these events made my writing journey a unique and collaborative one. They provided a wealth of information for character development and even inspired entire scenes: without these events, the book would have been entirely different. For example, during the â€Å"Eurovisions† event, Denis Maksimov sketched the concept of â€Å"State of Noland,† and the role of free economic zones in hacking nation states. This concept became key in developing the backdrop for my novel: the outbreak of a European civil war.I also included snippets of conversations about dating apps that were recorded during the T inderpolitics performance, and the dance parties I hosted were instrumental in depicting many of the disco scenes.One of the most valuable outcomes of this whole process was the community that formed about DISCO SOUR. Readers became part of the story, helping create the world of the novel simply by showing up and taking part in my events. I also created a Facebook group (which acquired 800 followers), and a newsletter (which has grown to 1,000 subscribers) to keep participants of the event up-to-date on the writing journey. "By throwing events inspired by my book, I allowed readers to become part of the story." However you choose to write your novel, make sure you have funEvery author has a unique approach to writing a book. However, it can be said across the board that creating a story with which you’re happy takes time and consistency, and, above all, it has to be fun. If you don’t have fun writing it, people won’t have fun reading it. "If you don’t have fun writing your book, people won’t have fun reading it." And as any independent author knows, writing a novel is only half the battle. Drumming up interest is the other half. And while my decision to involve people in the writing process was for creative reasons, facilitating shared, face-to-face experiences with potential readers was also an excellent way to build buzz and encourage people to become invested in DISCO SOUR. I learned a great deal from my friends, filmmakers, journalist, native English-speakers (English being a second language for myself), Reedsy professionals, and avid readers - all of whom helped my story grow.Please share your thoughts, experiences, or any questions for Giuseppe Porcaro in the comments below!The book is available for pre-orders on Unbound.I would like to thank Michael Rowley and Jessica Hatch, who I worked with to develop and finalize the manuscript.